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This lecture questions the possibility of conceptual type and compares type to other disciplines. A conference was held in copenhagen in 2010 and the concept of ‘conceptual type’ was used as the basis of a combined book and special issue of artifact, which is called a signature edition. We would like to focus on the ideas and concepts behind type
Rather than talk about type by asking who made it and what does it look like, we will start a new decade by asking why do we make it and what does it mean? “what sets conceptual letters apart is a rigid adherence to their guiding principles above other concerns,” write bruce willen and nolen strals in lettering & type (2009). This work delves into the concept of 'conceptual type' as an analytical lens for exploring the relationship between typography and underlying ideas.
Over the decades and centuries, typography has evolved substantially, but rarely at the same time
In this presentation, we will be looking at conceptual and conventional typography, and how the former has affected the perception towards the latter. Rather than talk about type by asking who made it and what does it look like, we will start a new decade by asking why do we make. In conceptual type, the underlying idea is the most important factor even at the expense of legibility
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